Genre: Life's Tragedy

Life's Tragedy by Paul Laurence Dunbar

It may be misery not to sing at all,

And to go silent through the brimming day;

It may be misery never to be loved,

But deeper griefs than these beset the way.

Genre this time is about Ancient Worlds - a whole slew of options, from Greece to Egypt, and today I'm a fashionable woman from Greece sporting the latest in Egyptian cosmetics and jewelry. My chiton is created by Luminary, and I chose a particularly bright gold because the hue and texture was incredibly attractive to me - it looked luminous and liquid, with bits of dull and bright intermingling pleasantly. The shoulders are lovely and rippled, and so is the skirt - falling in long, loose folds.

To sing the perfect song,

And by a half-tone lost the key,

There the potent sorrow, there the grief,

The pale, sad staring of Life's Tragedy.

I paired it with a heavy pendant from Eclectica in lapis lazuli and gold. I am a fan of scarab beetles - a symbol rooted in ancient Egypt - for a number of reasons, including it's connection with the sun and transformation. The winged version Eclectica created for this pendant is gorgeous, the wings inspired by traditional jewelry without copying it. My only, selfish wish would be for a wider variety of colors and the ability to mix and match - I am a spoiled fairy, I know, but I have daydreams of rainbow scarabs dancing in my head.

The earrings, which are similar but from a different hand, come from Sax Shepherd Designs and offer a subtle counterpoint to Eclectica's dynamic winged sun roller.

To have come near to the perfect love,

Not the hot passion of untempered youth,

But that which lies aside its vanity,

And gives, for thy trusting worship, truth.

I pulled up my chiton for a few fragile moments to show off these amazing sandals from Bliensen + MaiTai. I adore the fire feathers hanging down from the anklets and lovely, double layered bands over the feet. They are really quite charming and fun, and slip on perfectly over SLink's flat feet. The twine along the front is a particularly nice touch - I love how it's slightly uneven and imperfect, something which is more difficult than perfection in a world like Second Life.

This, this indeed is to be accursed,

For if we mortals love, or if we sing,

We count our joys not by what we have,

But by what kept us from that perfect thing.

And finally my poses are all a release from Genre as well - a gorgeous statuesque set from ht studio. Half of them are shown with men and half of them with women, but I found all of them worked well with my entirely female body. Despite seeming very similar at first, there is a variety to the arm and leg placement which is really quite pleasant. In another skin, I could be holding sheaves of stone wheat and standing in an arched niche.

Advent Ended

It's been hard for me to write recently - hard to put words down or organize myself in some sensible order in black and white. I could blame a lot of things - work stress, the season, general ennui - but the long and the short of it is that while I've had fun gathering things up and snapping pictures, talking about them was much less welcome. I've been thinking about the unsung support, though, and those who so often aren't mentioned - and for photography in Second Life that is usually the pose maker. I've been blogging using Grafica for some time, and have been really enjoying the latest offerings - like the pose in the below picture which is a group gift. He makes poses for angles, poses for odd edges and partial views, and poses with character and flow. In contrast to a lot of posemakers, his emphasis is not on showing off fashion but rather on expression and dance; a fair number of his sets references more rarely seen dance styles than the relatively more common ballet. There's also an airborn quality about Grafica poses which make him my go-to maker when I want to create something fluid and expressive. Now's a good time to join his group and get the free gift as well - it's a lovely, fall back pose.

CHALLENGE: Avatar in a Box

Vanessa Blaylock does Challenges on Friday (yes, I know it's Sunday - I found out about it on Saturday from the lovely Strawbery Singh and it took me a while to think of my idea) and this one is based off of a rather disturbing image from Hugh Kretschmer that imagines fashion avatars dressed and ready, yet in a packing box. It took me a while to go from that image, to Strawberry's adorable packing crate of doom and cuteness, to my own rather surreal imagining. I had initially considered making it out of images on boxes, but once I put myself inside of the boxes I realized it looked rather neat that way, especially with the shadow of the box below.

Sometimes boxes can be very small, though, and other times they can be vast and yet still confining.

Left of Center

Winter can be a melancholy time, an exhausting time, a time for inward turning, and a time for deep thoughts. I've been dwelling on a few different things - one being power, how we know we have power, how we identify being powerful, what empowerment means, and the difference between actual and perceived power. Knowing when one does and doesn't have power is complicated because perceived power can give rise to actual power, and actual power can be perceived as powerlessness. I was also thinking about that in the context of groups, group dynamics, the prejudices individuals-as-members-of-groups are prone to. I've been really struck lately by the rhetorical plays people make and trying to figure out why - is it accurate all the way down to bone, or is there a calculus for winning which steps in? A discussion of creating a woman-dominated space was responded to using stereotypes of weakness and pink, and it was all intra-group; a woman and feminist objects to sartorial and language choices of other women; women organize to police and exclude each other as part of seeking equality; there is something bent here when it aggregates. There is something also in the stories we tell, and how we work with and against them as individuals. The world is made up of layers of meaning, and sometimes I think truly understanding is completely impossible.

I'm wearing a couple of things from Level Up, specifically this wonderful dress and necklace (the latter a gacha) from katat0nik. The motif  of the dress is froggies, the style adorable, the skirt semi-transparent. I'm wearing the average size here; it goes larger and smaller on both ends and works well on both thin and curvy bodies. I actually want clothes like this offline - the fluffy skirt is a favorite of mine, and who doesn't love a sailor suit top? The necklaces, which are gacha prizes like I said, are all fruit themes in a wide variety of colors. The little bow in the same color is adorable. I went with a loose, flowy ponytail from Clawtooth in a very simple blond. One nice thing about rigged hairs is that ponytails can now stay nicely tucked against the body instead of going every which way whenever one turned ones' head, and this is a waist-length ponytail worth having, as much for the flyaway bangs as anything else. My stockings are an old, lucky purchase from Stellar which I really love; they actually came in all green, but I thought the white contrasted more nicely with my shoes and were less overpoweringly a saturated green - the touch of the clover is enough to echo the green of the frogs. Capping off my toes are these fun variants on a Mary Jane style heel, with the delicate ribbon along the edge of the shoe and the shiny, silver buttons. They come from Mango Cheeks, and are a fantastic, elegant shoe - I ended up picking up the fatpack! I especially like how the band is tapered instead of steady, reflecting the pressure put on it by the feet, and giving it that little extra touch to set it apart from other shoes.

21 Shoe - December

Last month I managed a fun, in situ pose with a bunch of shoes, and as the twenty first approached and I saw the lovely shoes sent to me, I got a flash of an idea for a slightly more intimate picture. This time I'm focusing on two stores I blog a lot - Sax Shepherd Designs and Bliensen + MaiTai - who do me the honor of sending items my way for me to enjoy. Twenty-one Shoe is a single day event and the items tend to be exclusives, so this really is the time to check them out; there is a full catalogue to check out with links to the stores.

I've actually been wearing Sax Shepherd Designs' Oyster colored version of his Mata Hari shoes for several days now, and I love them and the subtly blue grey hue. I adore the hanging jewels and the delicate curves around the ankle. One thing I noticed this time was the simple band upwards to hold the shoe into place, and the soft gold of the sole is a lovely touch. His other offering is a Christmas hued pair of beaded shoes which I really think are lovely. Sax always does fantastic lines to accentuate the feet, and these shoes are definitely an example of that. A wider range of colors just came out in the store along with some fantastic matching jewelry, so make sure to check those out when you go by for the event!

The Bliensen + MaiTai shoes I just got, and they're really fun. The sandal flat with its ivy leaf motif are just a blast. I like how the leaves curl around the ankle, and the differing hues of the sole and how those colors are reflected in the leaf. I don't have a lot of flats, but I'm sure you'll see these again and I really hope we have more colors in our future - a bright spring green, perhaps, or a dusky dark college shade. Her second pair are a fun, industrial edged cage shoe with a darker spine down the front. I love the heaviness of the cage bars; I have more delicate versions of this same kind of shoe, but this is nicely heavy and carries a whiff of stainless steel dance parties. I adore how the shoes are themed together as well, and seem to work as a complementary set - both with a metal edge, but with very different feels and for very different feet.

A very satisfying 21 Shoe, overall!

How NOT to Pick Up a Chick* in Second Life

*Chick who is actually a dude, but [Mr. Observant] never noticed.

One of the hazards of hosting "How NOT to" is occasionally logging in to unbelievable stories of friends of mine that are perfectly suited to the theme. In this case, it was a story by a dear friend who logged on to deal with a customer matter and had one of the group chats he was in open up. Like many group chats, it brought the drama - in this case a bunch of people very upset with [Mr. Observant] for contacting someone in a manner that was inappropriate. My friend wasn't sure of the details, but he was entertained, so he emoted into group chat pulling out his popcorn and eating it. A moment later, [Mr. Observant] is in his IMs. All typos are original - and I didn't correct grammar either! [Mr. Observant] may have English as his first language, but he hasn't mastered it.

[Mr. Observant]: ty for the popcorn
[Mr. Observant]: smiles

[Ms. Dude]: This is hella entertaining. Sorry that you're the butt of it though.

[Mr. Observant]: it ok
[Mr. Observant]: am offten hahaha
[Mr. Observant]: i have an opionion so attack me
[Mr. Observant]: i guess
[Mr. Observant]: i am very wise been in sl for 7 years now

[Ms. Dude]: I hopped on and they were already attacking, so.. I've got no opinion on it

[Mr. Observant]: it is ok
[Mr. Observant]: good hahaha
[Mr. Observant]: i am a loving caring man you up to date
[Mr. Observant]: why do people feel that have to attack anothers ideas

[Ms. Dude]: I don't know. I take it English isn't your first language?

[Mr. Observant]: oh it is, i am a bad typer
[Mr. Observant]: sorry
[Mr. Observant]: i bought a home in a rl nudist resort in southern california
[Mr. Observant]: warm

[Ms. Dude]: Then it's just some of what you say is easily misconstrued.

[Mr. Observant]: i know
[Mr. Observant]: what else
[Mr. Observant]: typing
[Mr. Observant]: then voice abit clearer
[Mr. Observant]: but pass a story around a circle of people it witll never come back the same
[Mr. Observant]: you live in the us too
[Mr. Observant]: ?

[Ms. Dude]: Yeah I do. Though I only popped on quick to check a message from a customer, so I'm gonna run now.

[Mr. Observant]: (Saved)you have business love
[Mr. Observant]: (Saved)bye love, hope you call me again
[Mr. Observant]: (Saved)voice someday too

It's kind of impressive to IM someone without ever even looking at their profile, but the [Mr. Observant]s of the world are up to the task! And no worries about any critique - he has an opinion, so attack him!

Popularity Contests

I'm taking part in a photo contest in the Art4You art gallery, and it's some rough competition! I'll totally cry and mope around endlessly if I don't win*, so won't you vote for me?

*Most likely won't, but my wouldn't winning be nice.

Black Lives Matter

News of ongoing police violence against Black people, and Black men in particular, has been in the general consciousness of the US a lot recently. To a certain extent, it's about momentum; before the astonishing and grievous murder of Treyvon Martin, the last major murder of a Black man which made the news was the beating of Rodney King, and in that case it was largely the massive riots, not the beating, which made news. The murder of Michael Brown in Fergunson went down very differently, as much due to the savvy and determination of the citizens of Ferguson - who did their best to share their grief and rage clearly, and without any violence - as the police abuse of journalists which put said journalists, and many international groups like Amnesty International, solidly on the side of the citizens of Ferguson. That is not the case for a large amount of the US public, however, many of whom have dismissed Brown as a "thug" and the people of Ferguson as "savages", both dog whistles for Black.

Black Lives Matter.

More Black men keep dying to terrorize Black communities, however. The non-indictment of the person who strangled Eric Gardner got more attention in the wake of the Ferguson resistance than it had during months of protest before. Tamar Rice's murder got more attention in the wake of the murders of Martin and Brown. I became aware of the slaughter of Black people with Oscar Grant, who was shot in the back while handcuffed and complying with police orders. Make no mistake, though - the murder of Black people has a long history straight back to slavery, and the institutionalized view of Black people as savage, violent, aggressive, and less valuable than white people - all of those justifications for enslaving and torturing people. The language by the white mainstream media speaks as if this is a new problem, as if police brutality and targeting of Black people is something which sprouted wholesale a few months before whatever murder caught their attention, but Black people have generations of warning their children about the casualness with which they can be murdered, and the ease by which their murderers will walk away uncharged and unscathed.

Black Lives Matter.

For white people wondering what to do, now that we know about this injustice - there is a lot. One very important thing, however, is to let this be about race. The "Black" in the statement that Black Lives Matter is critical, and it should remain on white lips. Let this be about Black boys stopped and frisked on streets. Let this be about Black teenagers thrown into jail as felons for holding a couple joints. Let this be about Black men shot for existing around police officers with guns. Let this be about Black women denied justice. This not a time for "No Justice, No Peace", which puts Black lives in danger by ramping up police aggression and shifting the story to being about riots instead of injustice. This is not a time for "All Lives Matter", which dilutes the message to meaninglessness and allows for a continuation of Black people being marginalized due to implicit bias.

Black Lives Matter.

There are still many places in the United States where slurs against black people are used with impunity. There are still Sundown Towns, where black people will be attacked and murdered if they remain after sunset. There are places where a group of Black people walking from Ferguson to the State Capital will be greeted in a small town with watermelon, chicken, beer, and shouted slurs by people who improvise their own white hoods. White institutions and schools like to pretend that the Civil Rights movement is in the past - that the murders of two other Black men in the 1960s capped it off neatly - but injustice has continued under other guises, ignored by authorities which want to keep their hands clean and enforced by authorities who don't believe that Black Lives Matter. The Civil Rights movement is still going on, though the slur now is Thug and the claim now is that he deserved it because he might have shoplifted earlier, maybe.

Black Lives Matter.

Black voices need to be amplified by White power. Black people need to be listened to by White ears. White people need to learn to be less racist, not just in rhetoric but in action.

Black Lives Matter.

Places to read and listen: 

#LivingWhileBlack

A Herstory of #BlackLivesMatter

The Subtle Racism of "Post-Racial" Activism

Speeches at the Ebenezer Baptist Church

Charles Barkley and the Plague of "Unintelligent Blacks"

This Week in Blackness

A Decade of Young Black Bodies Felled by by Bullets

Respectability Politics Won't Save Your Black Lives

There is more - you just have to look for it.

Water Color

It's that time of year, when things grow cold and I wear short skirts and hang around in rivers! This is a decidedly spring-like look, from the gorgeous mesh flowers by Sweet Lies, to the crinkly dress from LeeZu. I put on a brightly hued updo from Analog Dog, who does some of my favorite ombre shades, and finished the whole look with rings from Eclectica and shoes from Hilly Haalan. It's also what I call an inventory look, meaning the majority of it were things I picked up while I was out across the grid, and then I threw the look together while sorting things out of my main inventory folders - liking different pieces so much I wanted to photograph them before I sorted.

The LeeZu dress is one I've been eyeing for a while and picked up during her recent sale; I love an unusual silhouette, and LeeZu does amazing, angled, crinkly silhouettes. I also really liked the texturing, from the band down the center to the thin, contrasting colored shapes that reminded me of medallions on Indian carpets and fabrics. It's a delicate spaghetti strap top, a wonder mesh has given us which I will always cherish, and the colors are clear but muted, a tone which would determine the rest of my look. The Sweet Lies flowers, put on soon after, were a purchase from the last iteration of the Fantasy Room - to give you a sense of what a mess my inventory is - and they are a wonderful set of simple flowers in a muted but diverse palette.

The shoes were the hardest part, but I had happened by some Hilly Haalan shoes recently and they were floating near the top. One of the wonderful things about SLink feet is that it allows for many more open sided and open toed shoes, even for people who have difficulty making feet! In this case, the open lacework of the shoes was a perfect and simple counterpoint to a much more fluffy and fussy look above, and the silver echoed the whites elsewhere without becoming too sucked in. Finally, I had the great luck of seeing these rings, Eclectica's new release for the Jewelry and Accessory Expo. They are gacha prizes, a veritable slew of rings, all of which are lovely. I went with a different color on each hand, one to echo the golds of the medallions on the fabric of my dress, and the other to catch the hues of the flowers I'm wearing and my hair. The final touch were my nails - a textured ombre from Devae that I picked up ages ago but return to over and over again. That's also the only bit of purple in my look, completing my somewhat inverted rainbow nicely and settling us firmly in the realm of spring shades and pastel hues.

It's interesting to see where I fall in step with the prevailing north Northern Hemisphere cold and snow, where I react to my local weather which is not at all and where I push back against that, clinging to the timeless and spacelessness of Second Life. The biggest strength and weakness of this world we create together is that it is the sum total of our imaginations. We bring in our own experiences, assumptions, biases, and prejudices and then build a world that replicates the ones in our own minds. I don't think there's any way we can actually know why people bring what they bring - so much of what can be made is as much a product of our subconscious expectations and values as anything consciously held. I think about that sometimes, looking back at a history of images bright and dark from the last five years - the times when I dressed in bright and cheerful clothes when I was feeling sad or upset; the times I threw on whatever and tossed it into the world; my own quiet jealousies and envies, sublimated into a sort of frenetic energy with no outlet.

Winter is a time for drawing in, self-reflection, and facing hard truths about ourselves in harsh environments. Spring is about growth and optimism, and the eternal promise that This Too Shall Pass. I feel like I'm in a swirl of energy, chasing my own tail to avoid my greatest fears about myself. There's a strong temptation to skate over the darkness, to stick to pastels and sweetness and kind words; I have no way to judge if that impulse is a kindness, or an ultimate cruelty.

An Early Frost

I am alive with a growing awareness that it is specificity, not generalization, which is the path through prejudice to equality.

Learning About Winter

As I've covered before, Junbug is taking part in Do it in a Dress (her donations page is here), an Australian campaign to finance girls going to school in Sierra Leone. She's already sending three girls, and has upped the goal to cover a fourth one - that's already a thousand dollars raised, and two hundred more to go to meet the final goal! One hundred percent of the proceeds for her schoolgirl dresses are going to the cause, and I like how transparent she's being with the money - you can check the in world totals at her store and do some math if you want to make sure things add up!

We have until the 7th of December, to fund education for four girls, and I'm sure we can do it! If you end up taking pictures in her lovely gowns, feel free to drop them by the Flickr Group she made for the campaign! I picked up a few for me, and a few more for my alts.

A couple of other notes... my hair is from the fantastic Clawtooth, who lured me into his glory with a sale and left me reeling and quite a bit more vintage. One of the things I adore about sales is that they encourage me to branch out and try new things; the pocketbook of a fashionista runs ever low. This hair in particular is so fun, sweet, and unusual - I love the enormous curl and the bow is fantastic and floppy and soft, and best of all it can be edited separately, so you can tint it to match all your outfits! My nails are a fantastic free gift from Altair currently under the tree - a sweet flower texture in a variety of colors. My nail folder is growing out of control, and I blame creators. Stop being so talented! And finally, speaking of talented, my boots are an adorable, HUD textured set from The Secret Store, currently being sold at Collabor88. The cuff is removable, which is awesome, and the rest of the shoe is broken up into three sections, each of which can be tinted separately. I love stuff which allows for that degree of customization; in addition to a variety of colors, there are also some fun textures which can be used to make your boots more unique. I splurged on the fatpack (see again, low pocketbook!), so expect to see these in the future!

Fit for a Princess: Winter Cliché

Another month has started, and with it comes the festival round of Fit for a Princess - which offers up a festive display and a few shiny gifts for the holiday season. I'm showing off a gorgeous hair from Sweet Thing again, a sweet bow updo that comes with a variety of ombre tips. I tucked a lovely new crown from Hopscotch along the bang-line, a delicate row of stars set above a simple band. It comes in gold or silver with a wide variety of jewel colors - here I went with pure silver for the simplicity. I love the starburst design, and how it can be tucked into a variety of hairstyles. I kept with the pale silver theme with my dress, selecting this gorgeous little cocktail frock from Greymoon in a combination of smooth and textured silver. The snowflake detail on the waistband is lovely, and I really like how she used the shape of the dress to add the textured panel and take this from a simple little dress into something perfect for a variety of holiday parties. I especially like that it's a more unusual neckline - there's a tendency for sleeveless gowns to be very similar, and I like the additional flair along the top; I hope this becomes more common!

My ears, which I've  been wearing for about a week now, are a new release from .:Soul:. at We ♥ Roleplay - opening tomorrow at 3PM SLT. This is the High Elf, made a bit larger because I like them that way and Charlie is always nice enough to make things modifiable. They come with a HUD for Charlie's skin tones, which will match with his latest release Catalina along with his older skins, and with a graytone to tint to match other skins. He's also created developer kits so that other skin makers can make appliers for his ears - something which I hope a lot will take advantage of! There are multiple other ears, including smaller and longer ones and a special mer style ear with jagged edges. The other feature of these ears which I really love is the tattoo layer overtop. Charlie includes a tinter and some textures, but using the developer kit one could make all sorts of patterns to add on to ears - I'm really looking forward to seeing what people make!

My final recent pieces come from two other events which are ending soon. From the Seelie Court, I'm wearing Bliensen + MaiTai's finger claws - which come pre-set for SLink hands in Casual and Elegant, and include both all of the fingers and the index fingers only. The nail guard of this sorOne example of nail guards originated in China, and were a symbol of the lack of physical activity women of high rank could indulge in - since they didn't have to work with their hands, they could grow their nails unusually long. The longer they became the more brittle they became, however, and so metal and lacquer nailguards were made to protect them. These are nicely assertive, though, and seem to carry a distinct edge - a reminder one can be lovely and lethal. I'm also wearing two other Bliensen + MaiTai pieces - the foiled leaf necklace and shiny silvery nails with a snowflake motif, both of them already released and still amazing. My amazing shoes are from Lassitude & Ennui, released at Geeks n Nerds, and I've loved them since I first saw them come across the feeds. The shape of the mule itself is a lot of fun, with the vamp arching away from top of the foot in an interesting manner. The platform section is digitized, with small cubes supporting and crawling up under the sole - as if, indeed, nanobites ate a chunk of my shoes! It's a fun and funny idea, and they look lovely to boot.

Both Seelie Court and Geeks n Nerds end on the tenth, so hurry by if you haven't already!

Nothing Gold Can Stay

Nature’s first green is gold,

Her hardest hue to hold.

Her early leaf’s a flower;

But only so an hour.

Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay.

Robert Frost

Advent-ure!

It's that time of year again, when generous creators set out gifts to usher in the season! I'm going to list the Advents I'm doing, and show some of these wonderful firstday prizes, but I also want to link to several ongoing lists that will hopefully cover most of the ground. The hardest part about Advent is advertizing it so people can come, so hopefully this will help spread the word!

Yer Mawm has a long list including the dates for some of the Advents that don't start until the twelth.

Chic at Phil's Place includes some explanations for the more complicated Advents.

Teleport HUD has separated out their Advent lists by ones which cover the full month, and those which are for twelve days.

FreebieCosmos is listing a bunch of advents with their prizes, among other freebies.

I try to keep my advent season reasonable, focusing on free or inexpensive stores, exploring a little into new stores but keeping my focus on old friends. Some old favorites aren't here this year, but a lot of calendars I love are!

A Touch of Magic - Furniture

Abranimations - Animation, World Items and Scripted Items

Alice Project - Hair; One Style a Day, different textures for everyone and group members

DMC - Animations and Scripted Items

Eternal Dream - Poses

Falln Angel Creations - Just about everything

KittycatS - Different store every day

Kouse's Sancrum and Krystal - Jewelry and Clothing/Dolls (25$L each)
There is also ornament collection for a special prize at the end.

Monastery - Contemplative things?

Parfum de Cristal -  Full perm things?

ReACT - Furniture; chance at a gift card
 
Swayland - World Items
This is a two step advent - step one, look for the ornaments with the passwords; step two, use them each day on the presents. Passwords for days 1-15 are currently out.

Virtual Impressions - Jewelry

The Snow Queen is Lost in School

The Xiasumi School Faire has only a few hours left - and sadly I didn't get much of a chance to take pictures on the very cute sim associated with all of the sales! I did pick up quite a lot of kimono, though, and some very tasty sushi (not shown). This lovely gown is revealing and sweet, with a bodice line reminiscent of a Korean chima, worn without the blouse-like jeogori, a style popularized in beautiful manghua like Bride of the Water God. I'm an enormous fan of the manghua and the art, so was drawn to the drama of this gown from Junbug immediately, though I went in more of a Snow Queen direction with it than any proper Korean Royalty. The bow of wings in the back are more reminiscent of a butterfly tie for a Japanese kimono, and the fall of the fabric reminded me of how an Indian sari often falls across the front - though the cause in that case is very different. The event itself is pure Japanese, though, from the build of the schools, to the rows of shoe lockers, to the decorations each class did for their hallway. One of the things I love about Second Life is that I can step inside of worlds created by people for themselves and people they know, and be inspired to know or, at least, to learn more. The regular reminder that the world is so much bigger than I can ever know, with subtleties I can never grasp, is both humbling and inspiring.

The idea of a Snow Queen is, of course, much broader than Asia; I first met this frozen ideal of womanhood in Hans Christian Andersen's story of a young girl pursuing and saving a formerly ungrateful boy, and watched with no small amount of bemusement when Disney removed most of the women from the story and yet recast it as a story of sisterly love. To keep with the theme of white - the color of death in some places, purity in others - I selected a pure white ribbon collar from Boom as one of the sole accessories. It's color changing via a HUD, including this pure shade of white, and it's simplicity would work well in a variety of genres. My second accessory is from Mandala, a large and gorgeous corsage to be worn in the hair. It's large and fat, with a bright gold center and lovingly created petals each standing out on their own - no mean feat in Second Life! Finally the hair, in my traditional gold, is a recent release from Wasabi Pills. She's continuing the trend of using small, thin mesh tendrils instead of textures with semi-invisible strands, and I love how that works around the face and ears in particular - all very hard places to place hair, as there is a tendency for layers to overlap. She also tucked some loose bits in under the bun in back, as if it's been rather a long day and some tendrils are escaping! I love both the simplicity and the elegance of this look, and I'm so glad I had a chance to take some pictures in the Xiasumi school's gorgeous build.

Black Friday

Seraphim is hosting a list of Black Friday Events with regular updates throughout the day - if you know someone having a sale point them that way! Under the featured list is a shorter list of people who need your Lindens! Strawberry Singh also made a call out for listings of Black Friday events on Plurk, which might cover some different ground!

One big Black Friday event I know about is at .:Soul:., one of my favorite stores. In addition to 50-25% off on some marked items, .:Soul:. is also releasing this amazing skin among a set of three Drow skins - all of them on sale for 50% off for this day only. I'm showing the darkest, Onyx, along with a sneak preview of ears which will finally be released during We ❤ RP in December. In addition to being a variety of really neat ear shapes, .:Soul:. has included some really neat, unique features (details here) - and the ears will be open to applications from other skin stores! Stay tuned for more details, and definitely go by to check out the new Catalina skins released recently, and the brand new Drow skins.

Fit for a Princess: Growth in Black and White

I'm back with couple new pieces available at the Fit for a Princess event - which I highly recommend you check out, as it's wrapping up in the coming days! The gown, an elegant shape with interestingly cut sleeves and fascinating bodice detailing, is from Enchantment! and comes in a variety of colors besides this rich green with it's satiny kirtle. The sleeves are short but full with a scalloped edge which looks interesting from every angle - a real bonus in a world of cuff sleeves. The deep V neckline contrasts nicely with the otherwise conservative look. The corset itself is heavy and solid, with large ribbons holding it together down the front and a fun, spiky edge along the bottom to add some interest. It's also well rigged, staying close to the legs but not splitting with wider leg stances, and the textures work well with the movement of the mesh through a variety of poses. Speaking of textures - it is fully lined, something which I appreciate as a blogger given to somewhat extreme angles; I was never in the position of having to shift perspective to cover up invisible insides, which I really appreciated! I paired it with BluPrintz's necklace again, this time in a dark brown wood to pair nicely with the bodice shade. The reflective quality of the stone can be clearly seen in my pictures, offering up some nice verisimilitude in addition to chunky adornment. I love the shape and hang of it in particular; it falls so nicely over the collarbone.

My hair is from Wasabi Pills, a lovely swath of curls and wisps which is delightful. It has a fantastic brown line in particular, the hair curling up and over in a waterfall of waves. One of the wonderful things mesh hair gave us were these fantastic details of tiny wisps of hair curling out from the whole - not only does it guard against the ever-present and unfixable alpha occlusion error, but it also is simply lovely and detailed. The curves are also wonderful, especially where they fall over the breasts in loose and realistic waves, and the cut of the hair works well with crowns and flower bands, like the one from Persefona (sold at the Seelie Court Event) which I indulged in. The twists of branches around the brow is very realistic and lovely, and I adore the leaves attached to it. The leaves floating around the head are an attachment, and are fantastic for a sense of motion. Autumn, winter, and other shades of leaves are also available, so you can match yourself to the season more successfully than I have.

This entire look was inspired by a sense of young growth cut off in an untimely manner, something which has been occupying my mind over the past few weeks. There are so many young people who leave this world long before they should, so many wonderful people whose potential is cut short. Who knows what futures we are doing without due to the murder of the young.

Ferguson

I don't know whether to weep or to burn the world down.

"But it is not enough for me to stand before you tonight and condemn riots. It would be morally irresponsible for me to do that without, at the same time, condemning the contingent, intolerable conditions that exist in our society. These conditions are the things that cause individuals to feel that they have no other alternative than to engage in violent rebellions to get attention. And I must say tonight that a riot is the language of the unheard. And what is it America has failed to hear? It has failed to hear that the plight of the negro poor has worsened over the last twelve or fifteen years. It has failed to hear that the promises of freedom and justice have not been met. And it has failed to hear that large segments of white society are more concerned about tranquility and the status quo than about justice and humanity." - Martin Luther King, Jr., March 1968

Gacha Thoughts

I first ran into gacha on Japanese language sims as a fun diversion. Usually costs weren't more than 30$L, and it was fun variations on a single theme - a bunch of popsicles, or a bunch of flowers - with one or two rares that were mildly harder to get but which were only slightly more interesting than the regulars. I would go to these gacha festivals with friends, each of us spending Linden wildly and giving away our extras with blithe indifference. It would end with everyone wearing what they had won and taking goofy pictures, giggling the whole while.

At some point, gacha left the Japanese language sims and moved into more general sims, and with that the tenor of the gacha changed. The prices increased - now it is not unusual to see gacha for 75$L or even 100$L - and the uniformality of the prizes dropped. Rares became not only harder to get, but critical pieces to outfits or desirable display cases, and after about a year the ultra-rare made it's inevitable appearance. Commons became accessories and add-ons to the valuable rare main pieces, and people began putting thousands of linden into a single gacha machine to try to get a desired item. The side-effect of more and more difficult to attain rares then kicked in, leaving people with incomplete outfits or accessory sets.

With the rise in costs, the rise of the secondary market came; people had spent so much that they wanted to recoup their losses by selling the commons and any extra or unwanted rares they might have. Prices went up again - some rares going for 500$L to 1000$L. The culture of giving away, of sharing, died before it ever had a chance in this new market.  From the creators' perspective, it was hard to see other people making more off of selling their items than the creator made; from the perspective of the consumer, having fifty accessories and one main outfit - the entirety costing more than simply purchasing an outfit or fatpack might - left them feeling used and disgruntled. Discontent rose on both sides, bolstered by the reluctance of individuals in Second Life to talk about anything negative or render any critique except anonymously.

Personally, I've put in place several rules. I never pay for a gacha where there's an outfit unless one version of all of the pieces is a common - it's simply not worth it to me. I consciously only expect to get commons, so if the only things available that I like are rares, I don't pay in at all. And most of the time, I stop playing as soon as I get a double common, which usually is between three and five plays, sometimes more. The exceptions are places where otherwise I'd be inclined to purchase a fatpack - in which case I keep going a while longer and then hit the yard sales. I give away my extras to people I think will like them, or consolidate them on an alt for spreading among my many alts. Now and then, if I end up with double rares, I will try to trade them for other rares of the same set - I've had some luck with this and met some lovely people. Overall, though, I'm increasingly reluctant to play into gacha even while I admire the gorgeous creations being funneled through them. It's a conundrum, to be sure!

Genre: Apocalyptic Sunday

I have become, by way of accident, a tertiary fan of various works. I couldn't read more than the first half of A Game of Thrones, and have little to no interest in the television show, but I adore retellings of it - mostly about the quirky women who run the world - and the items inspired by it. Likewise, my love for apocalyptic matters is largely second or third removed, and often in the form of something I can wear.

Enter Genre.

The apocalypse is an often dark and gritty place, but sartorial glory can be found even there, and Genre is bringing that this time around.

First my hairstyle from Adoness is a rooster-comb of hair over a shaved base with patterns shorn in the length.I'm using the white hairbase tinted a soft gold and despite it not being my usual style at all, I rather like the effect; it feels a bit like I'm dragging out the Androgyny genre with my manliest look yet!

When I saw the clothing available for this round of Genre, I was powerfully reminded of the anime and manga series Trigun, and it's goofy main character Vash the Stampede - a humanoid natural disaster. Vash is one of those interesting, multifaceted characters who strides across stories and into the hearts and imaginations of those who encounter him. My trench coat might not be crimson, nor bullet-scarred, but it is a lovely offering from 14 FL OZ, fit to hold off the stinging sand in any post-apocalyptic wasteland and to impress even my enemies. It comes with a tank top, a pair of shorts and boots I'm not showing, but which are similarly well made. I love the design of this - the wide V at the top with the answering V to show off lets, boots, and whatever might be used as prosthesis in the hereafter. I'm wearing the jacket entirely without an invisible layer, though one is included, and I'd imagine it would work well over mesh as well as over the textured top and jeans I'm wearing in this picture - that makes it wonderfully useful in terms of outwear wear for a variety of looks - even ones out of the desert! Speaking of prosthetics, I simply couldn't resist the lure of a do-it-yourself stick leg made up of a bat and several extraneous weapons - or used to hold those weapons? - attached around the edges. This Death Row Designs special comes with a boot for the off leg, which I'm wearing here as well. It comes in two pieces and is modifiable, which means there's a lot of room for making it larger or smaller as needed. I find it incredibly charming - quirky and fun and dangerous.

With all of this flash and style showing up in my clothes and person, I needed truly over-the-top accessories. My eyes are decorated with two different effects - firstly a simple shadow from #adored which tints around the eyes, and then a facial tattoo lining under the eyes, from NOX. The latter has a lovely feathery effect over my cheeks. The combination is striking but subtle, and a little bit of color in an otherwise brown and tan presentation - a hope of things to come. A similar tint is in the gas mask from :{MV}:, though that is largely black. I like that it's little hints of hope hidden amongst an otherwise unremarkable look - that seems to fit well into both the post apocalyptic genre, and the western genres I'm referencing here. I finished the whole look off with a gold and black flask from Squishy Fluff, which seemed necessary since the end of the world would drive one to drink! It's editable, which is nice since I was able to resize the band to fit around my trench-coated arm. The final touch of verisimilitude were these dirty nails from A:S:S with a variety of hues to match anyone's skins. One can wash one's hands, but somehow a little cruft always seems to lurk beneath the nails!